In what way can gender be understood to inform the consumption of film Essay

In what way can gender be understood to inform the consumption of film - Essay standardThe consumption of film then places a sense of boundaries among women which relate to specific films. The result is a different understanding of gender identity and the way in which one should relate to society. The concept of gender identity and the relationship which this created in film was the basis of the female experience and consumption within the cinema. Perspectives of Cinema The number 1 association with cinema is based on the spectator and the identity which is created from different intuitions. In a current study (Broadcasting Standards Commission, 1998), it was noted that the difference in perception changed according to gender. Women and men, for instance, viewed the ideal of violence differently. Women were known to have a stronger relationship to the aesthetics of the film as well as the impact of violence. This was furthered with a pick out relationship which was created to th e film and the violence, specifically as women created a relationship to the victimization that often slip awayred within movies and the sports creations. Men however, had a different psychological response and didnt associate the actions of the movie with reality or the actions which they took in various situations (Broadcasting Standards Commission, 1998). ... The cinema was the product which was designed to create a sense of identity. The women became spectators by also down the identities which were on television and the representation which this had. The overall ideology was based on the consumption of women as an object in which they were meant to represent an identity or region of life. This objectification was followed by the production and reproduction of familiar forms of identity as well as how this could define the women in society. Spectators then not only became associated with the relationship and activated responses, but also associated with the consumer ideal an d the understanding of what female identity should be inclusive of (Stacey, 1995). The relationship to the spectator with gender identity which one could associate with then became the main point of consumption and objectification of females. However, this specific relationship began after the wartime and with the movement into contemporary film. In the films of the 1930s, there was a specific identity which was based on the woman being the equal to man. Often, there were women who would play the same roles as men and which wouldnt have different clothing or other approaches to identification. later the 1940s and 1950s, the gender identity began to split, specifically with Film Noir and other experimental approaches. This allowed the identity and the object of gender to split into identifying individuals according to the sociological realities which were in society, allowing for questions to occur with objectification and identity. However, spectators which were looking at this als o began to see over generalized accounts of gender and mimicking this with the